What do you expect people to feel when they look at your art?
They should feel enthusiastic, inspired and fascinated. Latex always resembles a collusion of a naive and a sexual context, which can be disturbing and create an inner dialogue within the viewer. I want to change that viewpoint.
What influences your art?
I have dreamt about it since my childhood. Started with sculptures, inflatable children’s toys, created massive costumes out of tape and cardboard, wrote poems and performed – a lot of experimenting has led me to where I am now. I always liked inflatable objects. I have visited numerous manufactories for my art, did my research. One day I discovered latex – and began producing costumes with a company specialised in that material. Besides there are the performances, like my music project Aquaaerobika – a pop musical with inflatable costumes and decor, so basically a moving sculpture. I am interested in symbols and signs, the game of two and three dimensionality and forms that change the way they look depending on your viewpoint. I trained as a graphic designer. I want to create new symbols, as shown with my sculptures. I work with the image of femininity and in an ironic way with the culture of the 20thcentury. At the moment I find a lot of my inspiration within the clothing, music and aesthetic of Baroque and Rococo – that is how Balloon Baroque Ballet came into existence.